Product Description A bright, science-minded boy goes to the beach equipped to collect and examine flotsam--anything floating that has been washed ashore. Bottles, lost toys, small objects of every description are among his usual finds. But there's no way he could have prepared for one particular discovery: a barnacle-encrusted underwater camera, with its own secrets to share . . . and to keep.
In each of his amazing picture books, David Wiesner has revealed the magical possibilities of some ordinary thing or happening--a frog on a lily pad, a trip to the Empire State Building, a well-known nursery tale. This time, a day at the beach is the springboard into a wildly imaginative exploration of the mysteries of the deep, and of the qualities that enable us to witness these wonders and delight in them.
A Look Inside Flotsam
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Included in the Box:
David Wiesner's fans will be tickled pink with his latest book. Flotsam takes for its setting the Jersey seaside and the author's memories of his trips to the beach as a young boy. (The back flap of the dust jacket has a color photo of Wiesner as a five year old looking perfectly suited to slip right into his book!) Painted quite appropriately in watercolors, and utilizing a horizontal format, with pages wider than they are tall, the book perfectly captures the reflection of light at the seaside while framing the spacious broad strech of blue waterline against the long strip of sandy beach. Opening with a long shot of a young boy digging at the tideline with his bucket we turn the page to find ourselves staring face-to-face with an enormous hermit crab! Looking again we realize the crab is not sitting on beach sand but the boy's upturned palm, while an enormous eye - the boy's eye seen through a magnifying glass - gazes down behind the upturned twitching two eyes of the crab. Then things jump back to regular size on the next page but only for a moment as Wiesner constantly shifts the size and format of each step of his silent story. Like the boy we are meant to look carefully and from every possible angle. The title marvelously conveys the narrative method as mysterious snapshots flit back and forth with a young boy's curiousity of what lies out beyond the waves. Mr. Wiesner achieves almost a perfect storyboard, deftly mixing and merging images of varying sizes with his now unequalled mastery of visual storytelling, the sum producing an utterly delightful experience. Large sea turtles, their backs bedecked with villages of shell grottos sail through the water with the same wonderful stillness as the magical pigs in Tuesday. The becharmed juxtaposition of imagination and reality is reinforced in the name of the old-fashioned box camera washed ashore: Melville. And like Melville's epic Moby Dick factual data coexists side by side with the wildest fancies. Here whales can appear as a single enormous eye - the theme of the book is looking and how we record impressions - or as small guppies swimming below gargantuan walking starfish the size of tropical islands. Scale and perspective are handled with Wiesner's virtuoso touch; there is never any sense of heaviness or display for its own sake. His colors have never been richer or more brilliantly managed - the rich hues of a scene with small aliens as underwater tourists is quite the equal of William Joyce's palette. Somehow even the ebb and flow of the waves comes across in this brilliantly achieved work.
